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Which is just anoher sign, that Zuko only could be himself "rescuing Aang", wearing a mask, hiding in the shadows.Ĭertainly also Aang needed to defend himself against Zukos attacks, but once Zuko was accepting himself and realising that all old expectations were rubbish, they became friends, close friends.
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Aang also discovered Zukos real identity behind the "ghost mask". He needed to surpress his feelings all his live, until he suffered so hard and relised that his life back home, when his sinister sister kind of "helped" him, with the lie of conquering Aang.Īang was also playing a motive, he safed Zuko in the arctic region, not to die in the cold, but almost always find a friend in him, as well as a shelter. And his mother loved him as the person Zuko was, unconditionally. He needed to take down someone, who stands for freedom, joy, mildness, love, happiness (old meaning of gay), to prove his right to go back home. Zuko had following story: he was expelled by his father, for not fulfilling his expectations and Zuko suffered a long time not being accepted.
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So overall, that series doesn't have to be oriented by and natural caused numbers of LGBTQ people - it's about story telling, not more, not less. But there's much more in the background to discover. I often wondered about the superficial hetero-normative description of the characters. I just finished watching legend of Aang and Korra.